E♭7 Chord on Guitar
E♭7 E♭ G B♭ D♭ 2 shapes Barre chord
Also written D♯7: the same frets under another name.
How to play E♭7 on guitar
The E♭7 chord (E♭7) is made of E♭, G, B♭, D♭ - 1 3 5 b7. On a guitar in standard tuning the easiest way to play it is the A-shape barre at fret 6 (x68686). Below are 2 shapes in all, from the lowest on the neck to the highest; the same chord sounds brighter the higher you play it.
E-shape barre, fret 11 (11)(13)(11)(12)(11)(11)
Strings from the low E (left) to the high E (right). Numbers are fingers: 1 index, 2 middle, 3 ring, 4 little. x = do not play the string, o = open string, a bar = one finger across several strings.
What notes are in E♭7?
The E♭7 chord has 4 different notes: E♭, G, B♭, D♭. The major triad plus a minor seventh (10 half steps above E♭) - the dominant chord that pulls towards the key a fifth below. A guitar chord rarely has as many strings as notes, so shapes double some of them: the e-shape barre, fret 11 sounds all six strings.
| Note | Interval from the root | Half steps |
|---|---|---|
| E♭ | Root | 0 |
| G | Major 3rd | 4 |
| B♭ | Perfect 5th | 7 |
| D♭ | Minor 7th | 10 |
Frequently asked
How do you play E♭7 on guitar?
The A-shape shape x68686: A string fret 6 (finger 1), D string fret 8 (finger 3), G string fret 6 (finger 1), B string fret 8 (finger 4), high E string fret 6 (finger 1); do not play low E. Your index finger lies flat across fret 6.
What notes are in the E♭7 chord?
The E♭7 chord (E♭7) is made of E♭, G, B♭, D♭. Its formula is 1 3 5 b7. On the guitar, some of those notes are played twice on different strings.
Can I play E♭7 without a barre?
There is no common open shape for E♭7 in standard tuning, so it is played as a movable shape: a-shape barre, fret 6 (x68686) is the lowest on the neck. If a full barre is hard at first, play only the four highest strings of that shape - the root and the third are still there.
Is E♭7 the same as D♯7?
On the guitar, yes: the same frets. The name changes with the key - sharps in sharp keys, flats in flat keys.
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