Right hand
Most of the tune lies between the E above middle C and the G at the top of the treble staff. Keep the hand around A-to-E for the verse and reach up to G for the refrain.
Traditional 1580 A minor 6/8 Easy 0:32 Both hands
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Greensleeves is one of the oldest tunes still played everywhere, and it sounds lovely on the piano even with very few notes. The melody is in A minor and lilts in 6/8, two beats per bar each divided in three, with a dotted figure in almost every bar. This easy version keeps the whole tune - the verse and the refrain - in the right hand and gives the left hand one long bass note per bar following the chords. Two sharps appear on the way, G# and F#: they give the tune its old, slightly modal colour. Learn the verse first, then the refrain, which starts on a high G.
Most of the tune lies between the E above middle C and the G at the top of the treble staff. Keep the hand around A-to-E for the verse and reach up to G for the refrain.
One bass note per bar, held: A, G, E and C. In bars 7 and 15 the left hand plays A then E, half a bar each, under the cadence.
The dotted figures (E. F E, A. G# A): the first note is three times as long as the second. Keep the lilt by feeling two beats per bar, not six, and watch for the G# and F# in bars 3, 4, 7 and 15.
The pickup and first bar, A C D E F E, fit 1-2-3-4-5-4 without moving the hand. In bar 2, D B G A B is 3-2-1-2-3 after a small shift down.
The right-hand melody of this version, bar by bar, in letter names and in Do Ré Mi. Sharps are written #, flats b; a note held across a bar line is written once.
Melody: A C D E F E D B G A B C A A G# A B G# E A C D E F …
| Bar | Notes | Do Ré Mi |
|---|---|---|
| Pickup | A | La |
| 1 | C D E F E | Do Ré Mi Fa Mi |
| 2 | D B G A B | Ré Si Sol La Si |
| 3 | C A A G# A | Do La La Sol# La |
| 4 | B G# E A | Si Sol# Mi La |
| 5 | C D E F E | Do Ré Mi Fa Mi |
| 6 | D B G A B | Ré Si Sol La Si |
| 7 | C B A G# F# G# | Do Si La Sol# Fa# Sol# |
| 8 | A | La |
| 9 | G G F E | Sol Sol Fa Mi |
| 10 | D B G A B | Ré Si Sol La Si |
| 11 | C A A G# A | Do La La Sol# La |
| 12 | B G# E | Si Sol# Mi |
| 13 | G G F E | Sol Sol Fa Mi |
| 14 | D B G A B | Ré Si Sol La Si |
| 15 | C B A G# F# G# | Do Si La Sol# Fa# Sol# |
| 16 | A | La |
The chords this arrangement holds for at least two bars, read from the score with the root in the bass. Each one opens its page: the notes, every inversion and the fingering, playable on a piano.
The piece is in A minor: all the chords of the key
A ballad called A Newe Northen Dittye of ye Ladye Greene Sleves was registered with the Stationers' Company in London in September 1580, and the tune was soon everywhere: Shakespeare mentions it twice in The Merry Wives of Windsor. Legend says Henry VIII wrote it for Anne Boleyn, but that is almost certainly untrue - the tune follows an Italian chord pattern that reached England only after his death.
The melody has been reused ever since. The Christmas carol What Child Is This?, written by William Chatterton Dix in 1865, is sung to it, and it is the heart of the Fantasia on Greensleeves (1934), drawn from Ralph Vaughan Williams's opera Sir John in Love.
This transcription: Traditional English tune, first recorded in 1580: the melody in A minor; left hand by GOONS Studio. Transcribed by GOONS Studio from the original work, which is in the public domain.
On guitar: Greensleeves guitar chords and lyrics, with a guitar that strums along.

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In A minor: A, C D E F E, D B G A B, C A A G# A, B G# E A, then the same line ending C B A G# F# G# A. The refrain starts G G F E D B. All the bars are in the Notes section, in letters and in Do Ré Mi.
Almost certainly not. The tune is first recorded in 1580, after his death, and it uses an Italian chord pattern that was not yet known in England in his lifetime. The story only appears centuries later.
The tune is a 16th-century love song, but the carol What Child Is This? (1865) is sung to it, so it is heard a lot at Christmas.